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The world's first fully-functioning electronic digital computer, Colossus was used during World War 2 at Bletchley Park, where it played an invaluable role cracking enemy codes. Until very recently, much about the Colossus machine was shrouded in secrecy, largely because the codes that were employed remained in use by the British security services until a short time ago. This book only became possible due to the declassification in the US of wartime documents. With an introductory essay on cryptography and the history of code-breaking by Simon Singh, this book reveals the workings of Colossus and the staff at Bletchley Park through personal accounts by those who lived and worked with the computer. Among them is the testimony of Thomas Flowers, who was the architect of Colossus and whose personal account is published here for the first time.
Lorenz cipher system. --- World War, 1939-1945 --- Cryptography --- Computers --- Cryptanalysis --- Cryptology --- Secret writing --- Steganography --- Signs and symbols --- Symbolism --- Writing --- Ciphers --- Data encryption (Computer science) --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Lorenz machine (Cryptography) --- Tunny cipher system --- Machine ciphers --- Automatic computers --- Automatic data processors --- Computer hardware --- Computing machines (Computers) --- Electronic brains --- Electronic calculating-machines --- Electronic computers --- Hardware, Computer --- Computer systems --- Cybernetics --- Machine theory --- Calculators --- Cyberspace --- Electronic intelligence --- History. --- Great Britain. --- GC&CS --- Lorenz cipher system --- History --- World War, 1939-1945 - Cryptography --- World War, 1939-1945 - Electronic intelligence - Great Britain --- Cryptography - Germany - History --- Cryptography - Great Britain - History --- GC&CS (Government Code and Cypher School) --- GCHQ (Government Communications Headquarters) --- G.C.H.Q. (Government Communications Headquarters) --- Station X (Great Britain) --- Bletchley Park (Agency : Great Britain)
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Following the critically acclaimed Zen at War (1997), Brian Victoria explores the intimate relationship between Japanese institutional Buddhism and militarism during the Second World War.Victoria reveals for the first time, through examination of the wartime writings of the Japanese military itself, that the Zen school's view of life and death was deliberately incorporated into the military's programme of 'spiritual education' in order to develop a fanatical military spirit in both soldiers and civilians. Furthermore, that D. T. Suzuki, the most famous exponent of Zen in the West
World War, 1939-1945 --- Buddhism and state --- Zen Buddhism --- Chʻan Buddhism --- Dhyāna (Sect) --- Zen --- Zen (Sect) --- Buddhism --- Mahayana Buddhism --- Lamaism and state --- State and Buddhism --- State, The --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Religious aspects --- Zen Buddhism. --- History --- World War, 1939-1945 - Religious aspects - Zen Buddhism --- Buddhism and state - Japan - History - 20th century --- Zen Buddhism - Japan - History - 20th century --- J1800.80 --- J1864 --- J1880 --- J3384 --- Japan: Religion -- Buddhism -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Religion -- Buddhism -- relation with state and politics --- Japan: Religion -- Buddhism -- Zen --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945)
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"Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath."--Bloomsbury Publishing.
Holocaust, Jewish (1939-1945), in motion pictures --- Documentary films --- World War, 1939-1945 --- Shoah --- Guerre mondiale (1939-1945) --- History and criticism --- Concentration camps --- Au cinéma --- Camps de concentration --- Holocaust, Jewish (1939-1945), in motion pictures. --- Holocauste, 1939-1945, au cinéma --- Concentration camps. --- Holocauste, 1939-1945, au cinéma --- film --- filmgeschiedenis --- documentaire --- twintigste eeuw --- holocaust --- 791.43 --- Holocaust, Jewish (1939-1945), in literature. --- Documentaires --- 2ème guerre mondiale --- History and criticism. --- Histoire et critique --- Au cinéma. --- Camps de concentration. --- Holocaust, Jewish (1939-1945) --- Documentary films. --- Evidence, Documentary. --- In mass media. --- Documentary evidence --- Evidence (Law) --- Legal documents --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- Kindertransports (Rescue operations) --- Nazi persecution --- Persecutions --- Atrocities --- Jewish resistance --- World War, 1939-1945. --- Mass media. --- Holocaust, Jewish (1939-1945) in motion pictures. --- Nazi concentration camps. --- Motion pictures --- Mass communication --- Media, Mass --- Media, The --- Communication --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Concentration camps, Nazi --- Death camps, Nazi --- Extermination camps, Nazi --- Nazi death camps --- Nazi extermination camps --- Internment camps --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945) --- History --- Germany --- Nazism --- Nuremberg trials --- Soviet Union --- Internment camps. --- Au cinéma.
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